My father was an artist who painted passionately, almost always outdoors. When I told him I wanted to become an art historian, he was sad partly because he hated art historians, but mainly because he imagined me chained (as a writer) to a desk, rather than marching the countryside looking for things to paint or draw. Like most writers, I sometimes get seriously bogged down, and his sadness comes back to haunt me. But then I pick up a book that, in just a few pages, puts my writing back on track, gladdening my father’s ghost.
I wrote
Bosch and Bruegel: From Enemy Painting to Everyday Life
Prose turned into poetry, history made uncanny, this slim volume by the master of cryptic visual illustration is an incredibly useful prompt for how to get one’s own writing going on a new and stranger track. Along the way, Sebald (author of The Emigrants and Austerlitz) delivers yet another powerful suite of stories entwining art and life.
After Nature is the very first literary work by W. G. Sebald, author of Austerlitz
'The greatest writer of our time' Peter Carey
After Nature by W.G. Sebald, author of Austerlitz, is his first literary work and the start of his highly personal and brilliant writing journey.
In this long prose poem, Sebald introduces many of the themes that he explores in his subsequent books. Focusing on the conflict between man and nature, each of the three distinct parts of After Nature give centre stage to a different character from a different century - the last being W.G. Sebald himself.…
Are you stuck on a single sentence that keeps expanding but goes nowhere? Then tame it by cutting it down and finishing it off now. Ian Hacking is the master of the subject-verb-predicate sentence in historical writing. And this book, in addition to being a model of stylistic clarity, changes how we think about modernity, mathematics, danger, and risk. You’ll never be afraid of being clear again.
In this important study Ian Hacking continues the enquiry into the origins and development of certain characteristic modes of contemporary thought undertaken in such previous works as the best-selling The Emergence of Probability. Professor Hacking shows how by the late-nineteenth century it became possible to think of statistical patterns as explanatory in themselves, and to regard the world as not necessarily deterministic in character. In the same period the idea of human nature was displaced by a model of normal people with laws of dispersion. These two parallel transformations fed into each other, so that chance made the world seem…
In May 1941, Bartlesville, Oklahoma, hums with talk of spring flowers, fishing derbies, and the growing war in Europe. And for the residents of a quiet neighborhood boarding house, the winds of change are blowing.
Self-proclaimed spinster, Bessie Blackwell, is the reluctant owner of a new pair of glasses. The…
Unable to finish a manuscript? This delicious book came about (I’m told) by accident, when its author, struggling with his vast magnum opus, decided to put it down, almost randomly, into a little book of startling essays. The result is an eye-opening study of how “things” need “persons” to speak on their behalf, becoming personable. Includes amazing insights into iconoclasm, ecological litigation, and the legal fight of Abolitionists. And teaches how to write less, cut more, and edit with creative abandon.
A strikingly original work, Friends of Interpretable Objects re-anchors aesthetics in the object of attention even as it redefines the practice, processes, meaning, and uses of interpretation.
Miguel Tamen's concern is to show how inanimate objects take on life through their interpretation--notably, in our own culture, as they are collected and housed in museums. It is his claim that an object becomes interpretable only in the context of a "society of friends." Thus, Tamen suggests, our inveterate tendency as human beings to interpret the phenomenal world gives objects not only a life but also a society. As his work unfolds,…
Is itpossible to write a sophisticated and high-stakes philosophical tract but remain engaging, accessible, and humorous? Latour shows it can be done. Reading him makes one young and agile again. Along the way, you learn urgent lessons about how to mend the catastrophic mental divide between the human and the natural world.
With the rise of science, we moderns believe, the world changed irrevocably, separating us forever from our primitive, premodern ancestors. But if we were to let go of this fond conviction, Bruno Latour asks, what would the world look like? His book, an anthropology of science, shows us how much of modernity is actually a matter of faith.
What does it mean to be modern? What difference does the scientific method make? The difference, Latour explains, is in our careful distinctions between nature and society, between human and thing, distinctions that our benighted ancestors, in their world of alchemy, astrology,…
What happens when a person is placed into a medically-induced coma?
The brain might be flatlining, but the mind is far from inactive: experiencing alternate lives rich in every detail that spans decades, visiting realms of stunning and majestic beauty, or plummeting to the very depths of Hell while defying…
Steven’s poems have the cadence of philosophical argument. Entering into this cadence can raise one’s own writing, and thoughts, to a higher plane, without its becoming flowery or affective. For years I kept this collection open to the poem “The Poems of Our Climate,” with its consolation: “...the imperfect is so hot in us / Lies in flawed words and stubborn sounds."
This selection of works by Wallace Stevens--the man Harold Bloom has called “the best and most representative American poet”--was first published in 1967. Edited by the poet's daughter Holly Stevens, it contains all the major long poems and sequences, and every shorter poem of lasting value in Stevens' career, including some not printed in his earlier Collected Works. Included also is a short play by Stevens, "Bowl, Cat and Broomstick."
Paintings of everyday life came from what seems their opposite: the depiction of an enemy hell-bent on destroying us. An absorbing study of the dark paradoxes of human creativity, Bosch and Bruegel is a timely account of how hatred can be converted into tolerance through art. Along the way, Koerner uncovers art history’s unexplored underside: the image itself as an enemy.
This irreverent biography provides a rare window into the music industry from a promoter’s perspective. From a young age, Peter Jest was determined to make a career in live music, and despite naysayers and obstacles, he did just that, bringing national acts to his college campus atUW-Milwaukee, booking thousands of…
Citizen Scientist begins with this extraordinary statement by the Keeper of Entomology at the London Museum of Natural History, “Study any obscure insect for a week and you will then know more than anyone else on the planet.”
As the author chases the obscure Western red-bellied tiger beetle across New…
